Ranking

Best Fleetwood Mac Song

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#PreviewCandidateWin rateMatch win rate
—DreamsRumours, 1977. Stevie Nicks wrote it in ten minutes on a bed in Sly Stone's studio— win— match wins
—Go Your Own WayRumours, 1977. Buckingham's side of the breakup, which Nicks had to sing harmony on— win— match wins
—The ChainRumours, 1977. Stitched together from three abandoned songs; the only track all five wrote— win— match wins
—RhiannonFleetwood Mac, 1975. Named for a Welsh goddess Nicks found in a paperback novel— win— match wins
—LandslideFleetwood Mac, 1975. Written in Aspen at 27, when she was deciding whether to quit music— win— match wins
—EverywhereTango in the Night, 1987. Christine McVie's chiming intro, reverse-recorded and then played forward— win— match wins
—Little LiesTango in the Night, 1987. McVie wrote it with her then-husband about wanting to be deceived— win— match wins
—Don't StopRumours, 1977. Clinton used it in 1992 and got the band back together to play it— win— match wins
—GypsyMirage, 1982. Nicks looking back at sleeping on a mattress on the floor before the money— win— match wins
—SaraTusk, 1979. Trimmed from nine minutes to four for radio; the long version stayed a fan cause— win— match wins
—TuskTusk, 1979. Recorded with the USC marching band inside Dodger Stadium— win— match wins
—Big LoveTango in the Night, 1987. The gasps are both Buckingham, pitch-shifted, not a duet— win— match wins
—Seven WondersTango in the Night, 1987. Nicks misheard a lyric on the demo and kept the mistake— win— match wins
—Silver SpringsB-side, 1977. Cut from Rumours for length; the 1997 reunion made it the emotional centre— win— match wins
—Say You Love MeFleetwood Mac, 1975. The first song where all three singers stacked harmonies on one chorus— win— match wins
—You Make Loving FunRumours, 1977. McVie told her husband it was about her dog. It was not about her dog— win— match wins
—Hold MeMirage, 1982. The video shoot in the Mojave desert took twelve days and nearly ended the band— win— match wins
—Gold Dust WomanRumours, 1977. Eight takes through the night, Nicks in a chair wrapped in a cardigan— win— match wins
—I'm So AfraidFleetwood Mac, 1975. Buckingham's live guitar showcase, stretched past seven minutes on stage— win— match wins
—As Long As You FollowGreatest Hits, 1988. The first single after Buckingham left, and McVie's answer to it— win— match wins
—Monday MorningFleetwood Mac, 1975. Track one, side one of the lineup that changed everything— win— match wins
—Sisters of the MoonTusk, 1979. Nicks singing about the persona the audience had built for her— win— match wins
—AngelTusk, 1979. The brightest thing on an album the label hated— win— match wins
—AlbatrossSingle, 1968. An instrumental that went to number one and taught the Beatles a trick— win— match wins
—Black Magic WomanSingle, 1968. Peter Green wrote it. Santana made it famous two years later— win— match wins
—Oh WellSingle, 1969. Green's riff, which he thought was so odd the band refused to record it— win— match wins
—Man of the WorldSingle, 1969. Green writing about his own unhappiness a year before he walked away— win— match wins
—The Green ManalishiSingle, 1970. Green's last single with the band, written after a dream about money— win— match wins
—Need Your Love So BadSingle, 1968. A Little Willie John cover, with strings arranged by Mickey Baker— win— match wins
—Blue LetterFleetwood Mac, 1975. The only cover on the album, learned from the band in the next studio— win— match wins
—Family ManTango in the Night, 1987. Buckingham built it from a guitar figure he could not stop playing— win— match wins
—SongbirdRumours, 1977. Christine McVie alone in an empty auditorium at three in the morning— win— match wins
—Over My HeadFleetwood Mac, 1975. Their first American hit, and the one that made the label keep going— win— match wins
—StormsTusk, 1979. Nicks on the affair with Mick Fleetwood, written while it was happening— win— match wins
—Second Hand NewsRumours, 1977. The percussion is Buckingham hitting a Naugahyde chair with his hands— win— match wins
—Never Going Back AgainRumours, 1977. Two guitars in open tuning, restrung before nearly every take— win— match wins

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