Ranking
Play this bracketBest Fleetwood Mac Song
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| # | Preview | Candidate | Win rate | Match win rate |
|---|---|---|---|---|
| — | ![]() | DreamsRumours, 1977. Stevie Nicks wrote it in ten minutes on a bed in Sly Stone's studio | — win | — match wins |
| — | ![]() | Go Your Own WayRumours, 1977. Buckingham's side of the breakup, which Nicks had to sing harmony on | — win | — match wins |
| — | ![]() | The ChainRumours, 1977. Stitched together from three abandoned songs; the only track all five wrote | — win | — match wins |
| — | ![]() | RhiannonFleetwood Mac, 1975. Named for a Welsh goddess Nicks found in a paperback novel | — win | — match wins |
| — | ![]() | LandslideFleetwood Mac, 1975. Written in Aspen at 27, when she was deciding whether to quit music | — win | — match wins |
| — | ![]() | EverywhereTango in the Night, 1987. Christine McVie's chiming intro, reverse-recorded and then played forward | — win | — match wins |
| — | ![]() | Little LiesTango in the Night, 1987. McVie wrote it with her then-husband about wanting to be deceived | — win | — match wins |
| — | ![]() | Don't StopRumours, 1977. Clinton used it in 1992 and got the band back together to play it | — win | — match wins |
| — | ![]() | GypsyMirage, 1982. Nicks looking back at sleeping on a mattress on the floor before the money | — win | — match wins |
| — | ![]() | SaraTusk, 1979. Trimmed from nine minutes to four for radio; the long version stayed a fan cause | — win | — match wins |
| — | ![]() | TuskTusk, 1979. Recorded with the USC marching band inside Dodger Stadium | — win | — match wins |
| — | ![]() | Big LoveTango in the Night, 1987. The gasps are both Buckingham, pitch-shifted, not a duet | — win | — match wins |
| — | ![]() | Seven WondersTango in the Night, 1987. Nicks misheard a lyric on the demo and kept the mistake | — win | — match wins |
| — | ![]() | Silver SpringsB-side, 1977. Cut from Rumours for length; the 1997 reunion made it the emotional centre | — win | — match wins |
| — | ![]() | Say You Love MeFleetwood Mac, 1975. The first song where all three singers stacked harmonies on one chorus | — win | — match wins |
| — | ![]() | You Make Loving FunRumours, 1977. McVie told her husband it was about her dog. It was not about her dog | — win | — match wins |
| — | ![]() | Hold MeMirage, 1982. The video shoot in the Mojave desert took twelve days and nearly ended the band | — win | — match wins |
| — | ![]() | Gold Dust WomanRumours, 1977. Eight takes through the night, Nicks in a chair wrapped in a cardigan | — win | — match wins |
| — | ![]() | I'm So AfraidFleetwood Mac, 1975. Buckingham's live guitar showcase, stretched past seven minutes on stage | — win | — match wins |
| — | ![]() | As Long As You FollowGreatest Hits, 1988. The first single after Buckingham left, and McVie's answer to it | — win | — match wins |
| — | ![]() | Monday MorningFleetwood Mac, 1975. Track one, side one of the lineup that changed everything | — win | — match wins |
| — | ![]() | Sisters of the MoonTusk, 1979. Nicks singing about the persona the audience had built for her | — win | — match wins |
| — | ![]() | AngelTusk, 1979. The brightest thing on an album the label hated | — win | — match wins |
| — | ![]() | AlbatrossSingle, 1968. An instrumental that went to number one and taught the Beatles a trick | — win | — match wins |
| — | ![]() | Black Magic WomanSingle, 1968. Peter Green wrote it. Santana made it famous two years later | — win | — match wins |
| — | ![]() | Oh WellSingle, 1969. Green's riff, which he thought was so odd the band refused to record it | — win | — match wins |
| — | ![]() | Man of the WorldSingle, 1969. Green writing about his own unhappiness a year before he walked away | — win | — match wins |
| — | ![]() | The Green ManalishiSingle, 1970. Green's last single with the band, written after a dream about money | — win | — match wins |
| — | ![]() | Need Your Love So BadSingle, 1968. A Little Willie John cover, with strings arranged by Mickey Baker | — win | — match wins |
| — | ![]() | Blue LetterFleetwood Mac, 1975. The only cover on the album, learned from the band in the next studio | — win | — match wins |
| — | ![]() | Family ManTango in the Night, 1987. Buckingham built it from a guitar figure he could not stop playing | — win | — match wins |
| — | ![]() | SongbirdRumours, 1977. Christine McVie alone in an empty auditorium at three in the morning | — win | — match wins |
| — | ![]() | Over My HeadFleetwood Mac, 1975. Their first American hit, and the one that made the label keep going | — win | — match wins |
| — | ![]() | StormsTusk, 1979. Nicks on the affair with Mick Fleetwood, written while it was happening | — win | — match wins |
| — | ![]() | Second Hand NewsRumours, 1977. The percussion is Buckingham hitting a Naugahyde chair with his hands | — win | — match wins |
| — | ![]() | Never Going Back AgainRumours, 1977. Two guitars in open tuning, restrung before nearly every take | — win | — match wins |



































